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8/15/2019 Invisible ESCULTURA
1/6
D
Ol l iS
VON 0
{(,\
F IEN
MAX
NEUH
·
AUS
Invisible
scu
l pture
molded sound
L
TIll: ullhl.
:a
ru -ur
and
tht:
llllUtlCr
8/15/2019 Invisible ESCULTURA
2/6
ay l l n d
('xpericllccd
in a e ~ t h c l i c ~ ~
s . - -
-
a
; · a - ~
k i l r r t i e f r e c l . In asquClrc , v l l c r C l l l e " i ) l ~ e
TC\"
11 the co nl ra r ), he
wanted
10 g
uide
th e Zlud icncc was low, the so
und would
drown out c\'c rYlhing d ~ t
hr
oug h th e aural spa ces of their imme diate in
Times
Square it is
barely
perce ptiblt' . On
the
on
l I r r n r l i l l ~ ~ . As if determined to brin g hom c to hi s hand
it
uses
automobile
~ n d
air
craft
Iloises,
and n
Iis tcn ers·' th e ir OWIl
raculty
as "
re so
n
ance
clUllll - ·
the
other illllixcs in
peace fu
l "ol ll1cis such as 10 1Ii
n
he accompanied
them-for
an c\'cn t
entitled
( 19tiG)-th roligh ; t
rea
of
Ma
nh:luan which
pani cul rt rl ,. r ich in so und
and
had dis ti nc tivc
lll ra l h ; l r ~ l c t c
N (
';1
ri y t
ell years lalcr,.\1 Tim es S(
llIa.r
c,
he ere,lt e d
ric"t pe
rm;1lwnl
ac
ou stic
spa
ce. A virtuoso
work.
r a kind .
111
the middk
of
the nobiest sl"Jl1arc in
Ncw
i \ 1 e l l
n l l l ~ put up
al1
invisih le
space
Illarked off
n - ;KOII ti c walls. illitiall Y;1 is imperceptihle bCG1II SC
"o u nd (,11
1t' IS it .
;Icou"lic
environmenl
stealthil}l.
inl l·tlder in
d ; ~ g : \ l j s c , ;lnd
is in
an)' c
as
e
cognate
Iilal cllvironmenl. thal
onl
y
gr;:ldu:l lly
docs it
it " ow n
alien
ch ;u ac tc r. Bllt t h
ose , ~ h l ' )
lo cate
f l und e:-.. p erit·ncc it
as an
acoustic thre shold
i
l1 g:
into
a
C
8/15/2019 Invisible ESCULTURA
3/6
.111 \ .\ 1 l - I f U .\,
I
JI I :n· I (10 , \ / . 1 1 .12, ,,,/,,,, 11 p ,,d lJIt 1·"/"
U . J ; ~
.•
1 1 J ' I ~ -
/ ;SY
•
JO / , /
. ~ . , , , . ' I ' / I I I I I I I · r , / . : , u " n l l l l ' I " r f , '10 .\ ; j .1 /1
II lId
'Jf) x
iU
rm // 1 11)10111.1, \ ( .11 \ UIL / t l i l
II i IO I
1111 , 1.\1
11 \\
'' ' \ ' ( 0 :>: : ' '1( :..- ' I I I ~
I H ' l l l l i
1.A I t (a,
1.I
. \ " \ \. \ 1. U. 1I ICU' 1>1:> .
t-
:ACI I ItUUM liAS
A
~ U U N l J
Ui - Irs OW:>::-TlIKEt:: QUIt::T «.;OLO k ED BV
SOUND
.
" IIt:: 1 1 / J { U . ~ ( J N I I
r:OLOKS
M I X UII-'Ft::RENTL\' WITH
:>
O l
'I I :> HH
IM
O U
TSIUE
TI
lE
lI
'ACf. l
,
SOUND C E ~ fR()M
U
l :
1 I U ~ I' .
T I
IROC(;I
I
Tl IHI .
RECOLORING
,\NII ' l ' l I t; :-; kU:XI'USI '
8/15/2019 Invisible ESCULTURA
4/6
Neuhaus docs not in
faeL
c
alculate his
spaccs, He
Irllsts his enrs, He tric'i it Ollt
on
the spot ' till the
..;nUlld is r i ~ l l l
and
Lilt:
space is right. AI timcs, draw
ings
Inil}
' help define and pl;tce il. panicular ...Irca
l1lore
pl-ccisely (II'
so
und
Ollt
aCOlistic reflections.
But
:1
so
und
;11SI:1ll.lt;0I1 is n
C\'c."r rill; lIy eS
l
ilblishcd on
the basi '
or
1'1Ich dr;twings , Setti n g:
11p
the
(lcoll''lic
r : \ ( T is : l l1 l : l l l r r orpurcly inlltilivc
experimentation.
Orawings
,mel
texts po
sses" great sign ifi
cc
m cc as a
rclkcti\'(, 111cdil11l1
and arc
il constitllent of Ncu
h : l I I ~ s work in their own rig-hI. The drawings arc
dOTH:
in pencil .1I1e1
crayon. The pencil
indicates the
. .wel the crayon
the
sOll nd. The
lay
variolls
,lcflllSlir q.ll:1litics arc juxlaposed like ne\\l walls b c ~
\ide exining walls or criss-cross the space like
e n e rgy
ClIrren lS is
simplicity
itself.
The drawing
,.
have
nonc
flf
Ill(' function or
mllsinll 1101:1Iiol1.
in ract. hut I"ath
( I rcc;111 the It'llr; livc
definition
or clcClrical. n erve
HI
hrain
impul
sc\,
Neuhaus di. .lingui:
i
hcs
bctwccn
rhe
"wnrl..irlg· t-arning
d r a w i n ~ s
and the
"how-I-rlid
II
drawing:..;"-the
propo
.al'i and lite
ciiplychs
cO
llsist
j'lg (d '
text
:llId
drawing.
For NClIli;IlIS, the diplychs
I
1111"'\
i
1111
e
;1
vi1: 11 C\l;lI)Ii o.IIIT1(: n t elr distance.: , afford ng
,
I l l
t I I ' n
i t , \ \ , of
lhe work,
For
rho 'c
who
experience
Ill(' , \'
nrk,
1IH'),
arc
a complex nH, n
llS of approaching
;r
: wltat Ille tl'XI G\1I110t cxprcs
..
the dr;rwillgs fill in.
,lIul ,'ic(' , '
c.:I",:1-
Tht'
diJlI\chs of' lex t
8/15/2019 Invisible ESCULTURA
5/6
.
\ltt.\'
, \ U . If.VTI I'l.HJ,
-"'- e . ~ " ' - "
. t ~ " " ' h ~ ~
r.-;:
".
" .•
", ."" ..
.
.... ~ . I I - ' . - ~
l '_ .... . . . . . . . . . .
\1 \H I , ' QL
.\:..n
H)Ut{
ION-I t '>
lie;
. t I A,, ' (J DJ I
" 1(
....
\
\ l tAN
OF LXI'LOKA l'Iu:o-.: I . '
l l J lW t
IlI .\nN . ( J N ~ - O"'Tii\C
'>"
.. ,N.\\.n
tHO \ 101 '
'10 UOI I I ) \ 1
'1
li
t: " uR " O ( . ( : U I Ti lE T\ \O
t 'XTIU
Mt .. 0 1
li
n . ~ ( )
'>I'ECTRl.'I>'
TI
n I.
UWS
AI U. U J ~ I I ' O " U I Of
kl
... Ol'ANt.t
O t' T i n . -iI'ACt' ANI.).
III lH}(.li I.(H
I
I.)
. ,\Kt' Il lLl tH N
1:'-:
'1
IU:SL\ II ILA .\;Cf" TO I Il l- .. Ot,::-..: U > IH fLO\\, I-':l, .\11/.
T l lf. II IGHS ARE SOrT I . I ~ E ' > \\
HIC
II
l' t
:
....
ETK. \n. T i l l.
>
A r \'Ak IOL'S l..L\·u . s
., O(; f .T l I I: R T i l EY . 01 t . 1 A ..ONH. STItUt:TU It t.
BO '
I I I
UU. ICATE AMi M , \ , > ~ I \ t:
.
IIUT \\"IIH II : - ' ~ ' I T I I I u s
..
K
~ I O K : ; OF ,\ I ' K F ~ - . : < . : t . : '1/ 1.\:>': A ' I( l l.;:\I).
Oli:>.: :;
TI
rEt.. UIlCAl.O
DE It
RALIM
HAT
l NL l
WOIfl\ ' I. l t.
II E
I
'K ()/'OKJ I { ) N ~
t'A
QUAOH,..\ l l '1(;1I u:-..u VII", )I. ~ T O K W I t f . . t J/ O t: 1I 1 )( IHI",·
,\ UCJI DIE .\IO( : UC Ilf.. EIT tH.R n ) ( l l l
)l.\I I. :-:'"
0:\ \1
FRH1
K'>C llt
NG
- \ ON 0111.:-; I I I ~ l ' : \ n .... 1.1" :...(.11\\ t IH_
1 KtI ' l 'U,1 I ,J,C I .
Ult.:
ARH :;IT I
H: llTl.
·1 OIl",
.U
10[:-:
LX
Ikl.\11 ut 'l
·rON '>I'
t:t.:lI1.CMS
UIE T II. n :S 1
U:,\l
IUI.O.:-"
~ I ( . I I \LS
K ~ . S O N A N l . [ N ,
l ll'\O. O II\\ 'O Il L LA u 'r :Io1:,\U. HU'.I HE
S It:
v t
. l I . sn
:.: t: 1
' a
. 'I
. l l n S
GLf. I
ClU·
. N IlIF \101Il: 'I r O ... l UII .
IH
.=", Wllt . l l t I IN I
L'>:
i l l S KAUIII At
f
\ ' 1
K lo( I l l t.
ll t
:
NEN tllt:"Olflo,;
I l l
' RC:III lKI
ZL'AI'o IM I
.N
81 1.0 1.'1 'I l l £ I \ [ f..1.""'( , " lt uKT l l k .
11L1
lUWO
I II . "/.,\11.'1' \ I . ~ A l 'U I UII
I I I
1:...1,
O
i l'. AM
II.
T R u
_ L E . L N L . 1 I L i " ' L N l .
t_
INI'N
SOlJN
ll ll .\R 'o r r I.IT
,\1\:0.
l
d ispla
ce
menls Nc
uh
au:. has
h i t : v
was i
lc n
Crev
e Gall e r y in Co logn e. In a lin y k
th a t o
pe n
ed off
a
larg
er room, he
l
oc
atc::d
ceptible
ac o ustic signals
that would,
stricti}
have been
characteristic of
vastly spa ciolls
vaulLs. The eye saw a cramped
cabiJlel
spa
ear registered th e
largc
sounds and echoe
in a big space. The eye e lljoy(.'d a
clear
gai
for
long.
When you moved into
the
exhibi
with
its
normal sound character
un
ch
ang
denly
seemed to
have
shrunk- the
ear
lished 'new
relat
i
ons,
and the eye
suffered
To
present
something
by
the
absence
trusion. to whet
attention by
removing
sound; is the
motif
of
the
MOMENT
I'
IE
C
ES,
28
8/15/2019 Invisible ESCULTURA
6/6
juxtap
osed asain'il the PLACES. \Vc a rc all fa mi l·iar
with th e phe nomeno n . An electric coffee gr in der is
IClud l), ra t t ling
away
in a
ca
fe,
say, the so u nd unn o
ticed
in
th e gene ral noise
of
the cafe, a nd
th
e n sud
(It-n l)' the machine i: